Series Editor's Preface
Preface
Notes on Contributors
Introduction; L.Weldy
PART I: TEXT AND CONTEXT
'Turkish Delights and Sardines with Tea': Food as Framework for Exploring Nationalism, Gender and Religion in The Lion, the Witch, and the Wardrobe; R.Towns
Scapegoating and Collective Violence in The Lion, the Witch and the Wardrobe; M.Green
PART II: APPLICATIONS AND IMPLICATIONS
Moving Beyond 'All That Rot': Redeeming Education in The Chronicles of Narnia; K.Dorwick
War and the Liminal Space: Situating The Lion, the Witch and the Wardrobe in the Twentieth-Century Narrative of Trauma and Survival; N.Norris
C.S. Lewis's Manifold Mythopoeics: Towards a Reconsideration of Eschatological Time in the Construction of The Chronicles of Narnia; J.M.Sommers
PART III: ADAPTATIONS AND MEDIATIONS
The Author, the Movie, and the Marketing: The Lion, The Witch and the Wardrobe and Early Reader Adaptations; R.Brock-Servais & M.B.Prickett
The Lion, the Witch and the Wii: Lewis' Theology in the Narnia Video Game; A.Clayton
PART IV: CONFLICTS AND CONTROVERSY
Lewis and anti-Lewis: On the Influence of The Chronicles of Narnia on His Dark Materials by Philip Pullman; G.Bar-Hillel
'Beautiful Barbarians': Anti-Racism in The Horse and His Boy and Other Chronicles of Narnia; J.Taylor
Boy-Girls and Girl-Beasts: The Gender Paradox in C.S. Lewis' The Chronicles of Narnia; S.Rodriguez
Annotated Bibliography
Index.