Anna Backman Rogers is Professor of Aesthetics, Culture and Feminist Theory at the University of Gothenburg, Sweden. Her previous publications include American Independent Cinema: Rites of Passage and The Crisis-Image (2015), Sofia Coppola: The Politics of Visual Pleasure (2019), & Still Life: Notes on Barbara Loden’s Wanda (2020). She is also the co-editor of three books on feminism and visual culture with Laura Mulvey and Boel Ulfsdotter respectively. She is the founder and editor-in-chief of MAI: FEMINISM AND VISUAL CULTURE.
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